Following on from my last post HERE about Adobe Creative Cloud, I finally decided against going the cloud route, and opted to purchase Lightroom 6 outright.
After purchasing my copies of Photoshop CS6 and Premiere Pro CS6 here in Australia a few years ago, during installation I was forced to create an Adobe account for registration. So I created an Australian Account, for software that I purchased in Australia, with my Australian credit card, because I am, and always have been, an Australian Citizen.
However, upon attempting to purchase Lightroom, Adobe decided I am from Argentina, and I need to purchase Lightroom from Argentina, with an Argentinian credit card, and no, they cant fix their error and make my account Australian again.
No wonder they are going broke. Why do some companies make it so hard to do business with them? I have the money ready, I want to buy their product…
I have been a Photoshop user for many years, and have been very happy with it. Recently, I purchased CS6 and have been blown away with it’s “Content Aware” powers. I have gone back and forward on Lightroom many times though. I have trialed it more than once, and was never 100% convinced I had to have it.
A few weeks ago a friend recommended I download and trial Abobe’s Creative Cloud Photography plan, which features new versions of Photoshop and Lightroom. It installed easily and was up and running quickly on my Mac Pro/Yosemite machine. My first impression was that it slowed my system and internet connection considerably (Spinning Beachball syndrome). It always seems to be phoning home for something, like telling me I need to update Acrobat DC, when I don’t have Acrobat on my system, but that is a whole other discussion. As usual, I found Photoshop to be amazing, and to my surprise I was also impressed with how Lightroom had grown since I last trialed it. The inbuilt lens profiles and new features like Dehaze seemed to bring it to life for me. Add to this the packages price tag of only $9.99 AUD per month, it was seeming to good to be true, and I started to feel like I would sign up.
Whilst looking for something else on the internet I stumbled upon This Article on Geek.com entitled “Adobe will try anything to stop a Creative Cloud cancellation”. This is the line in the post that really caught my attention:
“in order to protect that revenue they are using strong-arm tactics when someone attempts to cancel their subscription”
Strong-Arm Tactics? That sounded like a pretty bold statement, and initially I wondered if it was Adobe or the Geek.com author who came off looking bad here. I chose not to base my decision on this article, gave Adobe the benefit of the doubt on this one, and continued to research the plan. To my dismay I was able to find other similar stories on the internet about the way Adobe does business. After removing the flames and venom I was able to summarize those articles into a few points that are relevant to the decision I have to make. It appears that Adobe’s Creative Cloud Photography plan is $9.99 for the first year, and then it jumps up to $19.99 for the second year and beyond. It also appears to be very difficult to cancel if you change your mind at some point, and it seems that if you are able to initiate a cancellation you will be expected to pay out the contract.
Don’t get me wrong, I think the Photography Plan is still good value at $19.99 per month. However, my concern lies in the fact that there appears to be some important information that consumers are entitled to know about being hidden away. Adobe don’t appear to be being honest and transparent about how the plan works. I have searched fairly extensively on Adobe’s web site looking for the fine print, and there doesn’t seem to be any. Perhaps it may be revealed once I click the “BUY” button and start the purchase process. Right now, I don’t feel everything is being disclosed, and I am worried that I will be locked into an arrangement with hidden conditions and fee’s that whilst they may be visible if you know where to look, are obscured and buried away in a heavily texted poorly titled page guarded by a very stern Robots.txt file to block it from showing in searches.
Concerned, I went directly to Adobe and asked them straight out – “After the first 12 months, does the price jump up to $19.99 a month?” Please see transcript of the chat below:
I assume Vanessa is not this customer service agents real name, and this simple and direct question may not be on her answers flow chart (Not her fault). But after reading some other transcripts, the question still remains in the forefront of my mind – are Adobe playing games? Has Vanessa not been trained properly, and genuinely doesn’t know the answer to this very simple question? Or is Adobe hiding the possibility that the prices on their web site are introductory, will increase 100% after 12 months, and they will make it very difficult for you to cancel your account when you find out in the hopes that they can defeat your will and retain you as a customer, as many articles, stories and comments suggest?
As I am still undecided, I am very interested to hear your thoughts on Adobe’s Creative Cloud Photography Plan and Adobe’s business practices in general. Do you think Adobe are a fair company, and the Creative Cloud Photography Plan is a good deal, or do you think Adobe are dishonest and sneaky, and the Creative Cloud Photography Plan is the cheese on the mousetrap?
If you have a moment, please answer the poll questions below (login not required), and leave a comment if you have one (email address required).
Recently I learned about Vision 3’s QuickS3D plug-in, which provides the ability to edit 3D Multiple Streams (Stereo Pairs) and Side By Side (Multiplexed) video natively in Adobe Premiere Pro and After Effects.
After Watching several demonstration videos about the plug-in, and reading Vision 3’s site, I just had to have it. There are two different versions of the plug-in, A Lite version aimed at home users for $49, and a Pro version for $299. Most users will get the functionality they need in the Lite version.
There is no trial version of the software available, so I decided to jump in and purchase the Lite version for $49. Within minutes, I had a link to download the plug-in, as well as my activation key. I downloaded the software, and it installed easily. Upon opening Premiere Pro I was asked to supply my activation key, and upon submitting, I was presented with another window asking me for a password?
At first I was confused as to the purpose of this secondary password request window, so I began to search through the documentation supplied with the plug-in, read the EULA, and found no reference to it. I searched the Vision 3 website, and the support forums, and again, no information was found. I did notice the forum had been spammed though.
After spending some time contemplating the situation, I entered some passwords and it activated, and Premiere Pro opened up. I imported some Side By Side 3D video and started playing with it. As claimed, the QuickS3D does indeed provide the ability to edit 3D video natively. I especially liked the way I was able to add titles to my video, apply the plug-in, and create a really nice 3D effect between the text and the background video. It felt like the text was jumping out of the screen at me.
What I didn’t like on first glance, which became incredibly annoying after applying the plug-in a few times was seeing all of the “PRO” version options greyed out. Screen real estate is at a premium in Premiere Pro anyway, but seeing so much space taken up by information which is irrelevant to me became infuriating quickly, and started to feel like a “In App Advertisement” designed to frustrate me into spending another $250 upgrading to the “PRO” version.
The basic functionality of the plug-in felt a bit buggy to me at first, as quite a few times my video seemed to automatically revert back to Side By Side, not long after switching to Anaglyph mode. Having said that, this behavior did settle down after a while. I guess I might have been dragging across the “Display” option drop down somehow and once I got used to the plug-in a little more I stopped doing it? Maybe…But probably not…
Of the few options available in the Lite version, the basic tasks most of us will want to use are available. Features as listed from the Vision 3 Website:
Display Features
Top/Bottom
Side – by – Side
Frame Offset to Sync
Work with Stereo Pairs or Multiplexed file
Onion Skin (50-50)
Anaglyph (Red/Cyan)
v3 Parallax
Image Adjustments
Auto Crop
Scale to Fit
Scale to Fill
Stretch to Fit
Alignment Tools
Percent Only
Horizontal/Vertical Only
A feature I really liked is the auto crop option. This comes in very handy when adjusting the horizontal and vertical placements of the left and right channels. Using “Scale To Fit” the plug-in will scale your video so both channels fit correctly in the frame.
At this point, I was quite happy with my purchase, and decided to grab my Macbook Pro to write a review. After pondering the implications of the “Passwords” dialogue box, I came to the conclusion that the developer must have been taking a sensible approach to licensing, by allowing us the opportunity to transfer our single machine license to another machine, giving us the option to “Choose” which single machine we use our license on, as Adobe does… WRONG!
After installing the plug-in on my second machine, I tried to input my passwords from my first machine to no avail, I tried to create new passwords to no avail, and after 3 attempts, the plug-in no longer worked on EITHER machine!
Quite concerned, I re-read the documentation that came with the software, double checked the website and forum, Googled my problem, and found nothing. Under the “Support” option on Vision 3’s website I selected “Email Us”, and sent in a request for support/clarification regarding the purpose of the “Passwords” dialogue box. A few minutes later I received an automated reply with a Ticket number saying I would receive support soon…..
After a few days I still had not heard back, and sent of another request for support. 3 WEEKS LATER I have still yet to hear back from Vision 3 regarding this issue! And not surprisingly, the spam has not been cleaned/removed from the support forum.
The Bottom Line – In My Humble Opinion: Vision 3’s buggy QuickS3D Plug-In, whilst bursting with potential, is yet another piece of potentially excellent software crippled with anti-piracy measures to the point where those that have purchased it are “Guilty until deemed Innocent”. Vision 3 has no interest in supporting it’s paying customers or keeping a secure spam free support forum, they are interested only in getting your money. VERY DISAPPOINTING!
I recently purchased Sony’s Bloggie 3D and have been impressed with the results so far. Its small and light, has a great 3D screen, not only shoots 3D and 2D 1080P video, but 5 megapixel 2D and 2 megapixel 3D photographs as well. A few things I don’t like about this camera is the start up time is a little longer than I would like, and the battery life is poor. I often run out of battery WELL before the memory is even close to full.
But for what it does, and what you pay, this camera is a VERY cool and fun device to have in your pocket.
In July/August 2012 I visited Alcatraz Prison, and filmed Frank Morris’ Cell B-138 in 3D HD. Frank Morris was involved in the Great Escape with John and Clarence Anglin, and Allen West. Morris and The Anglin’s escaped the island never to be seen again. Personally, I think they made it to the mainland!
I have been looking at sites and blogs lately that describe how to make a 3D Anaglyph (viewed using Red/Blue Glasses) picture from a 2D picture using the channel mixer in Adobe Photoshop, and I was wondering if this method could also be implemented in Adobe Premier Pro? After a little bit of testing, and finding a few video’s on Youtube about it, I decided to give it a try.
This video is shot in 720p Hi Def, with great audio, and it does a great job conveying what it is like to be so close to one of these fire breathing monsters. Please check out z400hauls other videos too!
To begin, open Premiere Pro (If you don’t have it, you can download a fully functioning 30 day free trial from Adobe.com) and create a new project. As z400hauls source video is 720P at 30fps (Frames Per Second), I am going to stick with this for my 3D transformation settings.
Once you have created the appropriate editing environment for your videos specs, import your source/donor video by selecting the file menu, dragging down to “Import” and selecting your file.
Once you have it in Premiere Pro, Drag it to the timeline.
The next step is to create a second video track from the first, so we can make the left and right channels required to trick our brains into seeing 3D. To copy the video track only (because we don’t need two identical audio tracks) click the video in the timeline to highlight it (Notice the audio track will highlight as well), then right click it and select “Unlink”. This will unlink the video and audio tracks.
Now you can click on the video track to highlight it only, and the audio track will stay unselected. When your video track only is highlighted, right click it and select “Copy”.
The next step is a little tricky, so follow carefully. Premiere Pro is a bit like Photoshop, in that it uses Layers to build up the scene. If you were to select “Paste” from the edit window now, it will place the copied video on the same track as the original one, which doesn’t help us. We need to place the copied video onto a separate layer, or track, in order to achieve a stereoscopic effect. If you look closely, you will see that video track 1, and audio track 1 are highlighted, and are a different color from the other spare blank tracks that Premier Pro set up for us when we created the document.
This means that these tracks are active and are the ones we are working on. As we want to put video onto video track 2, click the blank area in the video track 1 and audio track 1 attributes bar to deselect them, and then click the blank are next to where it says “Video 2” to Activate/Highlight this track.
Now that we have Video Track 2 selected, we are nearly ready to paste in the second video channel. Premiere Pro will place the video wherever the play head (red vertical line) is, so to make sure our two video tracks line up, press the “Go To In” button to make sure the play head is at the very beginning of the timeline.
Now that the play head is at the beginning of the timeline, and Video Track 2 is selected, click edit from the menu bar, and select “Paste”. Now you have two video tracks! WOOHOO!!!
Now comes the fun part! Our next task is to separate the color channels, and create the “Parallax” effect. This is what tricks our brains into thinking that what we are seeing is 3 Dimensional. As we are creating a Red/Blue Anaglyph 3D effect, we need to separate the red and blue colors in our 2 video tracks. At this point, we will define “Video 2” track as our left/red channel, and “Video 1” track as our right/blue channel. To separate our colors, we will be using the “Color Balance RGB” effect. Open “Video Effects” then “Image Control” and drag and drop the “Color Balance” effect icon onto Video 1 track, and then again onto Video 2 track.
First, lets do the left/red channel. Click the video in the “Video 2” track to highlight it, and in the “Effect Controls” window set the green and blue channels to Zero. This will leave only red.
To create the “Parallax Effect”, whilst in “Effect Control”, click the little triangle next to “Motion” to expand this option so we can tinker with its settings.
As this videos dimensions are 1280px x 720px, you can see next to “Position” that the center point of the video is at 640px on the horizontal plane, and 360px vertical. To create the Parallax, we need to offset the left channel to the left of the screen slightly. To do this, simply adjust “640” to “638”. This will move our left channel 2 Pixels to the left of the screen.
We are now finished with the left channel for the moment, so lets make it invisible, so we can get to work on the right channel. To make it invisible, simply click the “Eyeball” icon in the attributes field as shown below.
Your video preview window should loose the red tinge, and be restored to normal. Next, Highlight the Video 1 track (Right/Blue) in the timeline, and set the red to zero in Color Balance, leaving blue and green at 100. Then, enhance the Parallax by moving the Right/Blue channel 2 Pixels to the right. Again, click the triangle next to “Motion” to expand and reveal the options, and set the horizontal plane to 642. If you have done everything right, your video preview will now look all Blue-Ish.
It is now time to bring the left and right channels together and create the Anaglyph. Go back to the Video 2 (red/left) track’s attributes area and make it visible again by clicking the eyeball icon. Your video preview will turn red again. If you click the eyeball repeatedly a few times you will see that not only does your video turn from red to blue, but it also moves position – Yes! That’s the Parallax Effect – You have made a 2D video 3D!
YAY YOU!!!!!
To finish up, we need to blend them together. This is where Premiere Pro borrows from Photoshop. Blending is what makes Photoshop so powerful. With your Left/Red channel visible (Eyeball Icon clicked so the video preview window has the red tinge), click the little triangle next to “Opacity” in the “Effect Control” panel. Click the drop down menu next to “Blend Mode” and select “Screen”.
VOILA! ANAGLYPH VIDEO!
Using these settings, the 3D effect is only mild. To really make a strong 3d Parallax Effect, you move the left and right frames further apart. Instead of 638 for the Red/Left channel, and 642 for the Blue/Right channel, try 636 for the left and 644 for the right, or 630 for the left and 650 for the right. Experiment with these numbers until it looks right for you.
But BE CAREFUL – Don’t push these numbers to far, because you can make the video really blurry.
To save and export the video, select file, export, media from the menu bar. I will be exporting it in exactly the same format as I imported it, but you can play with these settings if you want to export your video in a different format, or for another device.
Once you have exported your new Anaglyph 3D video file, All you need to do now is put on your Red/Blue 3D glasses, turn your volume up to 11, and enjoy this AWESOME video from z400hauls in 3D!
If you, or your friends pass out, or barf, try reducing the Parallax Effect by moving your Red/Left and Blue/Right fields closer together 🙂
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Following on from my last post HERE about Adobe Creative Cloud, I finally decided against going the cloud route, and opted to purchase Lightroom 6 outright.
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